{"id":9929,"date":"2020-12-04T19:49:01","date_gmt":"2020-12-04T19:49:01","guid":{"rendered":"http:\/\/newsletters.asucollegeoflaw.com\/ilp\/?p=9929"},"modified":"2020-12-04T19:51:45","modified_gmt":"2020-12-04T19:51:45","slug":"professor-reed-published-his-article-in-the-ssrn","status":"publish","type":"post","link":"http:\/\/newsletters.asucollegeoflaw.com\/ilp\/2020\/12\/04\/professor-reed-published-his-article-in-the-ssrn\/","title":{"rendered":"Professor Reed published his article in the SSRN"},"content":{"rendered":"\t\t
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Professor Trevor Reed has released his article, Fair Use As Cultural Appropriation<\/a>, to the SSRN.<\/p>\n

Abstract:<\/strong> Over the last four decades, scholars from diverse disciplines have documented a wide variety of cultural appropriations from Indigenous peoples and the harms these inflict. And yet, there are currently no federal laws other than copyright that limit the appropriation of song, dance, oral history, and other forms of intangible culture. Copyright is admittedly an imperfect fit for combatting cultural appropriations \u2013 it is a porous form of protection, allowing some publicly beneficial uses of protected works without the consent of the copyright owner under certain exceptions, foremost being copyright\u2019s fair use doctrine. This article evaluates fair use as a gate-keeping mechanism for unauthorized uses of culture. As codified in the 1976 Copyright Revision Act, the fair use doctrine\u2019s four-part test is supposed to help fact finders determine whether an unauthorized use of another\u2019s work is reasonable in light of copyright\u2019s goals of promoting cultural production. But, while the fair use test has evolved to address questions about the purpose behind an appropriation, the amount and substance of the work used, and the effects of the appropriation on the market for the work, the vital inquiry about the \u201cnature\u201d of the original work and the impact of unauthorized appropriation on its creative environment has been all but forgotten by lower federal courts. Combining doctrinal analysis, settler-colonial theory, and ethnographic fieldwork involving ongoing appropriations of copyrightable Indigenous culture, this article shows how this \u201cforgotten factor\u201d in the fair use analysis is key to assessing the real impacts unauthorized appropriations have on culturally diverse forms of creativity. Thus, if we are committed to the development of creativity in all of its varieties and natures, a rehabilitation of the forgotten factor is both urgent and necessary.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Professor Trevor Reed has released his article, Fair Use As Cultural Appropriation, to the SSRN. Abstract: Over the last four decades, scholars from diverse disciplines have documented a wide variety of cultural appropriations from Indigenous peoples and the harms these … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":10,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,15],"tags":[],"class_list":["post-9929","post","type-post","status-publish","format-standard","hentry","category-faculty","category-research"],"yoast_head":"\nProfessor Reed published his article in the SSRN - Indian Legal Program<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/newsletters.asucollegeoflaw.com\/ilp\/2020\/12\/04\/professor-reed-published-his-article-in-the-ssrn\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Professor Reed published his article in the SSRN - Indian Legal Program\" \/>\n<meta property=\"og:description\" content=\"Professor Trevor Reed has released his article, Fair Use As Cultural Appropriation, to the SSRN. 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